10 April 2016

Evening in the Nebraska National Forest, April 10, 2016

 

Yucca in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)

Overlooking burned trees in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)

Grass and burned trees in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)

Foliage closeup in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)

Minimal yucca in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)

Foliage closeup in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)

Foliage closeup in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)

Sunset road in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)

Nebraska National Forest Closeup, April 10, 2016

Foliage closeup in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)
Playing with extremely narrow depth of field. This lens throws a hazy veil over the scene, with just a tiny bit of sharpness on the focus plane. I like the contrast of the plants against the gray background, which creates an abstract look. I go back and forth on the line coming from the bottom plant, but it has its charm, too. It gets to stay.

30 December 2015

Falls Park in the Snow, December 30, 2015

Snow at Falls Park in Sioux Falls, South Dakota, December 2015. (Photo by Daniel Binkard)
I'm usually looking for water photos at Falls Park, but it's good to look at the surroundings from time to time. They've got decorations on the light poles, footprints in the snow, and people on the observation platform kind enough to point for me. I appreciate the help. Next edit needed for this composition will be to tame the tree branches intruding on the upper right.

24 November 2015

Views from Dinosaur Hill, November 24, 2015

Rapid City, South Dakota, from Dinosaur Hill, November 2015. (Photo by Daniel Binkard)

Double exposure of Rapid City, South Dakota, from Dinosaur Hill, November 2015. (Photo by Daniel Binkard)
When I look at my past photos from Dinosaur Hill in Rapid City, I think that I need to get back up there, posthaste! This was an afternoon shoot, with the sun somewhat low to give some dimension to the landscape. The first photo is a compressed perspective view across the hill toward the larger hills in the distance. It's the power lines dividing — and connecting — the hills that I like. They act as a bridge to the middle and background planes. The second photo is a double exposure with a focus shift for the near trees and distant cityscape. As with many photos that use this technique, the image is jarring at first, but I keep coming back to it and enjoying the blurred details.

27 September 2015

Lunar Eclipse, September 27, 2015

Lunar eclipse near Box Butte Reservoir, September 2015. (Photo by Daniel Binkard)
Lunar eclipse near Box Butte Reservoir, September 2015. (Photo by Daniel Binkard)
Lunar eclipse near Box Butte Reservoir, September 2015. (Photo by Daniel Binkard)
The 2015 lunar eclipse seemed like a good opportunity to stress test the newest camera I owned at the time, which was six years old. As everyone knows, once a camera becomes more than a year old, it becomes incapable of taking good pitchers, and should be replaced by whatever is on sale at Walmart.
Astrophotography with minimal motion blur is an excellent stress test for a camera, because you're dealing with high ISOs to maintain a high enough shutter speed to keep the point-light stars from turning into arcs of light. It's also a good lens test, because coma is a factor in keeping clean points of light. Then I added an extra dose of dynamic range with a (partially) sunlit moon face.
All that technical junk aside, let's look at the three photos I kept as a sort of triptych of the eclipse.
The first is an early partial eclipse, with the earth's shadow just starting to slide across the lunar disc (These terms sound great. Umbra is another fun word.). The wispy clouds in front of the moon add a bit of depth. I always like seeing the moon through clouds.
Stage two shows the sharp shadow about halfway across the moon. While shooting, I ran through a bracketed set of exposures, intending to do an HDR merge and keep the sunlit portion from blowing out. Never did get things lined up and merged properly, whether through automatic means or old-fashioned Photoshop tricks. Better astrophotographers have undoubtedly made this sort of shot work. In the end, I decided to keep the overexposed portion. And the subtle rays coming off that area are fun. The clouds had changed by this time, with some puffy wisps getting lit up by the moon.
Stage three shows the moon fully ensconced (a made up word for sure) in velvety cloud and scattered red light from the earth's atmosphere. This is the ISO 3200 test on a 2009 camera, and the noise is definitely there. Working with the shadowy detail in the clouds is where things fall apart, and I'd like to try this kind of shot again with a modern camera. But I'm pleased with the results of this collection. It was a good night to be out under the stars, in the middle of nowhere, with the coyotes in the distance.

08 August 2015

Foliage on a Fence, August 8, 2015

Multiple exposure of foliage and fence, Chadron, Nebraska, August 2015. (Photo by Daniel Binkard)

This is a double exposure of fence and foliage, taken at two distances. Normally I’m playing with a focus shift and the same distance, but this arrangement worked nicely. The overexposed patterns in the background are welcome, adding texture to the scene.

02 August 2015

Sunflowers at Fort Robinson, August 2, 2015

Sunflowers at Smiley Canyon in Fort Robinson State Park, August 2015. (Photo by Daniel Binkard)

The Jeep trail at Smiley Canyon has wonderful views of Fort Robinson, including Johnson Lake to the north. At this time of year, the sunflowers are out in force and provide natural foreground and framing objects. Some are more weathered than others. I like the variety of trees throughout the scene, leading from the near hill off to the lake in the distance.