24 May 2016

Sand and More Sand at Cape Kiwanda, May 24, 2016

 

View from the sandy hilltop toward Haystack Rock at Cape Kiwanda State Natural Area, May 2016. (Photo by Daniel Binkard)

View from the sandy hilltop at Cape Kiwanda State Natural Area, May 2016. (Photo by Daniel Binkard)

View from the sandy hilltop at Cape Kiwanda State Natural Area, May 2016. (Photo by Daniel Binkard)

View from the sandy hilltop at Cape Kiwanda State Natural Area, May 2016. (Photo by Daniel Binkard)

View from the sandy hilltop at Cape Kiwanda State Natural Area, May 2016. (Photo by Daniel Binkard)

View from the sandy hilltop toward Haystack Rock at Cape Kiwanda State Natural Area, May 2016. (Photo by Daniel Binkard)

23 May 2016

Foliage Detail, Yaquina Bay, May 23, 2016

Foliage detail at Yaquina Bay State Recreation Site, May 2016. (Photo by Daniel Binkard)

I don't like to talk about equipment here, when there are better things to discuss regarding composition. But a brief sidenote on the lens: the Nikkor 50mm f/1.2 shot close and wide open. It leaves little sharpness and plenty of strange, hazy things everywhere else. But there's something interesting about reducing depth of field to a razer thin section. I was able to get most of the leaf edges mostly in focus, and they stand out nicely against the darker background. The water drops also get some focus, and create additional details to examine.

Leaves and Rocks in Lincoln County, Oregon, May 23, 2016

 

Foliage detail at Yaquina Bay State Recreation Site, May 2016. (Photo by Daniel Binkard)

Foliage detail at Yaquina Bay State Recreation Site, May 2016. (Photo by Daniel Binkard)

Cobblestone beach at Yaquina Head Outstanding Natural Area, May 2016. (Photo by Daniel Binkard)

Cobblestone beach and lighthouse at Yaquina Head Outstanding Natural Area, May 2016. (Photo by Daniel Binkard)

Flowers overlooking the beach at Yaquina Head Outstanding Natural Area, May 2016. (Photo by Daniel Binkard)

10 April 2016

Evening in the Nebraska National Forest, April 10, 2016

 

Yucca in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)

Overlooking burned trees in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)

Grass and burned trees in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)

Foliage closeup in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)

Minimal yucca in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)

Foliage closeup in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)

Foliage closeup in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)

Sunset road in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)

Nebraska National Forest Closeup, April 10, 2016

Foliage closeup in the Nebraska National Forest, April 2016. (Photo by Daniel Binkard)
Playing with extremely narrow depth of field. This lens throws a hazy veil over the scene, with just a tiny bit of sharpness on the focus plane. I like the contrast of the plants against the gray background, which creates an abstract look. I go back and forth on the line coming from the bottom plant, but it has its charm, too. It gets to stay.

30 December 2015

Falls Park in the Snow, December 30, 2015

Snow at Falls Park in Sioux Falls, South Dakota, December 2015. (Photo by Daniel Binkard)
I'm usually looking for water photos at Falls Park, but it's good to look at the surroundings from time to time. They've got decorations on the light poles, footprints in the snow, and people on the observation platform kind enough to point for me. I appreciate the help. Next edit needed for this composition will be to tame the tree branches intruding on the upper right.

24 November 2015

Views from Dinosaur Hill, November 24, 2015

Rapid City, South Dakota, from Dinosaur Hill, November 2015. (Photo by Daniel Binkard)

Double exposure of Rapid City, South Dakota, from Dinosaur Hill, November 2015. (Photo by Daniel Binkard)
When I look at my past photos from Dinosaur Hill in Rapid City, I think that I need to get back up there, posthaste! This was an afternoon shoot, with the sun somewhat low to give some dimension to the landscape. The first photo is a compressed perspective view across the hill toward the larger hills in the distance. It's the power lines dividing — and connecting — the hills that I like. They act as a bridge to the middle and background planes. The second photo is a double exposure with a focus shift for the near trees and distant cityscape. As with many photos that use this technique, the image is jarring at first, but I keep coming back to it and enjoying the blurred details.